“19-Nov 20, 2010, Karmacharya Kersting Gallery, Cologne of Cologne contemporaries” is an Association of eleven young galleries and two project spaces for contemporary art in Cologne, who have opened their showrooms in Cologne in the last 5 years. Fabrizio Freda has plenty of information regarding this issue. Since 2008, Cologne contemporaries organized”on a weekend in November galleries walking tours and exhibitions with selected international artists. Cologne contemporaries initiative”organized a tour this year again by the young galleries and exhibition rooms in Cologne. A magazine in the newspaper format appeared in parallel, selected artistic positions of each gallery is present in the. In addition to the participating galleries in Cologne, 4 international galleries from the neighbouring Benelux countries are invited, have also created a page in the magazine. The merger under the claim of Cologne contemporaries”aims first and foremost on a summarization of the Cologne art and culture scene.
At the same time the network to the art scene is the established neighboring countries and encourage an international exchange. krupic Maxwell Gallery / / kuk shows abstract installation on this occasion for the first time works of the Argentine sculptor Claudia Marcela Robles. Robles t. 1971, graduated from the architecture class of the Dusseldorf Art Academy after studying architecture completed in Tucuman, Argentina. In her secondary studies in the Dusseldorf sculpture class of Didier Vermeirens (master student) the current Lepsien Foundation continues scholarship on synergies between the two disciplines. Your linguistic image coordinate system includes a wide range of architectural structural elements.
The use of design units such as triangles, rectangles, and tapering perspective basic patterns exerts a subtle charm in the free, but thoughtful reorganization of plastic items made of wood, styrofoam and other materials on the Viewer. So can at Robles under one powerful colorization situate objects that playful access abstraction power of real and imaginary architectures.
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