Commission

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It has that to understand this alienation in its different aspects: men, women and children accustomed to the life in musseques see themselves, suddenly, ' ' transferidos' ' for floors in building central offices in the city of Luanda. To confine them (they and to all ' ' bens' ' that, for norm, they had in its houses of musseque) to the reduced space of an apartment (erected in height, without land to the return, where they did not feel the feet in the land, as it was its habit) is to force them it a social situation for which they were not prepared nor had received any instruction. Moreover, it also portraies the marcante image of the classrooms lower than, hungry, they use to advantage the remaining portions of the faustosos lunches of the hotels lying in the garbage; it still has the figure of the opportunists of the system who, whatever the cost, try to ascend socially; the critical one to the education, to the educative system of the time, also is portraied through the figure of the responsible Pertaining to school Commission agents for the analysis of texts written for these children, disclosing, also they here, one fortssima alienation and same unfamiliarity to not understanding e, much less, to accept that two children can make of a pig a so main personage, a hero, detainer of similar so insultuosas exploits for a society as she was its. To read more click here: Fabrizio Freda. ' ' Who gives to me to be onda' ' it is the final phrase of this novel that receives name the same. It is a marcante phrase, as it is all the text, and, said for a child, it discloses that in the hour to kill its bigger friend – the pig – this child desires burning hotly not to feel, not to think, to be an inanimate being as the wave. .

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